ST: DS9 Behind The Scenes (LaserDisc)Includes interviews from the cast and contains sneak peaks into the show's first season.All the videos, songs, images, and...
As ST: DS9 airs its pilot episode, PM airs this 50 minute documentary as a way to spark excitement about the new show. It includes interviews from the cast and contains sneak peaks into the show's first season.
In the documentary, Farrell (Jadzia Dax) takes the viewer on a tour around the Deep Space 9 sets. The feature also has interviews with the cast, producers, writers and other production staff members and takes a look at the making of "Emissary".
To my knowledge this was only aired on TV once in 1993, then was released on VHS shortly after in the US and UK, and has never been re-issued on any newer DVD releases.
It just so happens that it was also released in Japan on Laserdisc, and I happened to find it while looking through my collection of discs. To w
If episodes like "Hard Time" and "In the Pale Moonlight" and so on showcase Deep Space Nine at its best, then there is one moment in "In Purgatory's Shadow" that encapsulates the worst parts of the entire series.
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It is truly appalling writing and acting -- just really, really bad. Especially when compared to things like the "Molly" scene in Hard Time and the whole of "Moonlight"
These two episodes share a common thread, and I can't help wonder if "For The Uniform" was a beta test (for want of a better phrase) for "In The Pale Moonlight", or if "Moonlight" was planned all along.
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I am not saying "Moonlight" isn't a very good episode -- it is one of the best and is justly considered so. But I tend to think that "Uniform" is generally underrated.
It is rare that I say this, but "Hard Time" is an episode that outstrips all but one of the episodes of Babylon 5.
As a series B5 is far superior in writing and content, but this single episode of DS9 just blows every other episode of B5 away (the finale excepted)
Miles is forced to live 20 years of prison in half an hour -- it is burned into his memory -- and he comes back to DS9 suffering from PTSD and is a changed man. He is angry, and he goes through a very tough adjustment.
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Colm Meany excels himself -- it is the high point of his role (odd as it sounds) --
During "The Maquis, Part 1 & Part 2" he seemed genuinely interested in making the treaty between The Federation and The Cardassians work.
And yet by Series 4, Series 5 he seemed genuinely determined wipe out The Federation, and to reconquer Bajor. And the less said about his time with The Pah-Wraiths the better.
So was he just faking it during "The Maquis"? Or did something cause him to flip a switch (so to speak)?
A woman creates an "ideal community" by staging an unethical experiment on a group of people which results in the death of seventeen of the people involved.
But at the end of this experiment -- ten years later -- the people involved decide they want to keep the experiment going because they are happy with how it turned out, and think the woman is actually their saviour.
What kind of message does this send to the audience? Or are we supposed to make up our own mind as to whether she is the hero, villain or just an average person of the piece?
(You may have guessed I am rewatcing the show, so random questions occur to me as I do).
Why don't we get to see
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Verad (from IP)
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during Facets? Was it just an oversight, or is there a minimum joining period required for someone to show up during a Zhian'tara ritual?
Given they go out of their way to mention the events if
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Equilibrium
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, it made me curious.
Does it worry anyone else that someone from a spaceship can beam directly to the operations centre on DS9?
I accept it is an exploding ship, so it is an emergency, but the operations centre is the heart of DS9 and should be a secure section. Also shouldn't emergency beam-ins be directed to somewhere like the infirmary?
DS9 is my second favourite sci-fi series, and my favourite of the "original five" Star Trek series (TOS, TNG, DS9, VOY & ENT).
And the main reason for that was the political side of the show, as opposed to the...... Star Trek side. It was like after Gene Roddenberry's death, the show grew up and was allowed to expand beyond its original remit, which made it more than it could be. Then when Voyager came along it shrank back into its shell and became a children's show again.
Dukat and Winn between them defined the show for me, with Sisko playing off them -- the three of them (and Kira) were the backbone of the best episodes, and without them then the show would have been wildly different and a great deal worse.
It's why I've watched it eight or nine times all the way through (Netflix!!) while TNG and Voyager have rated 2 or 3 (I think)