The Tapas doesn't have all of the issues, only the first 14. That's why I have to post it like that.

Kiddie has explained this further with people in relation to what happened in issue 18. As I mentioned, it was made when she was 18-19, so she had some strong opinions on the subject matter that have moreso mellowed out with time and experience. Also, it is trying to show the hyperbole of Springfield as a place where Moe cannot easily find help.

Although, A bunch of the quotes mentioned in that sequence came from people she knows in relation to trying to find mental health services for men, so there is a grounding in reality there.

Kiddie has explained this further with people in relation to what happened in issue 18. As I mentioned, it was made when she was 18-19, so she had some strong opinions on the subject matter that have moreso mellowed out with time. Also, it is trying to show the hyperbole of Springfield as a place where Moe cannot easily find help.

Although, A bunch of the quotes mentioned in that sequence came from people she knows in relation to trying to find mental health services for men, so there is a grounding in reality there.

It's a fan project concerning Moe.

I can only send it through links, since Lemmy only lets me put up one image per post, while Reddit can let me do the full issue.

I can't post it normally on Lemmy, since Lemmy only allows one image when posting. So, I have to link to Reddit, which is where we post the comic.

fan project.

I absolutely do play it, but I still have to manage my plays considering its rarity. It sounds great, and the sound of the record really pops out when you hear the record as compared to online sources.

I randomly decided to just look at who had copies of Falling and Laughing on Discogs (Which you can see in the statistics section). Then I just thought "Would anyone be willing to actually sell it to me?", and then I message everyone who was visible that had a copy. Most of them said that they treasured this record (for obvious reasons) and would never get rid of it. Then one of the guys emailed me and said he was downsizing his collection, as he was downsizing his home as well. I negotiated with him for about two weeks, and I was able to get a bunch of records, including every other Postcard Orange Juice record.

It was written as a response to music critics hating on the band for being twee and "sensitive" due to their music being usually light indie pop. So they added some grit and distortion to this song to show that they can be more intense if they wanted to.

There was the band Even As We Speak as well from Australia.

I'm about to post another tune you might like.

Glad to see another Flying Nun fan in the wild. I've been posting a lot of tracks on reddit for years and writing whole articles about artists. you can check them out below:

The Chills

Chris Knox

Yeah that was decently big news online when it happened.

No problem. Thank you very much and enjoy!

Also, let me know what you think of the tracks.

It's essentially indie rock that mixes psychedelic rock with some Velvet Underground droney guitars and Byrdsy jangle guitar. Each band has their unique characteristics that come from different influences, but those are some of the commonalities between all of the bands.

Here's a playlist I made on youtube of the key tracks I'll be mentioning below.

https://www.youtube.com/watch?v=7tf1wzg4rdE&list=PLS3FgAA2aSpIxg1dMZtrxgV6ax8V8IFvj

First, The Clean: You listened to them here, but you have to listen to their EP Boodle Boodle Boodle. The best way to describe it is "Surf Rock Velvet Underground". My favorite tracks on it are Anything Could Happen and Point That Thing Somewhere Else. They also have Getting Older, which was originally their swan song, as they broke up due to not being able to handle the success they were experiencing. They formed back together in 1989 and have released quite a few albums, but I think they don't reach the heights they reached with the first two EPs, those being Boodle Boodle Boodle(which they recently reissued along with their first single Tally Ho) and Great Sounds Great.

The Chills: They were the big band on Flying Nun in the 1980s and early 90s. They have a poppy indie sound that's appealing and almost has a Twee pop vibe to it in some aspects, and they also have some noisier tracks. Some favorites are Kaleidoscope World, Pink Frost, and Doledrums. Their first 3 albums, which are Brave Words, Submarine Bells, and Soft Bomb are great listening experiences.

The Bats: This band was the band that the bassist from the Clean founded after they initially broke up in 1983. They have more of a folk rock/indie Byrds sound to them that I like. Some favorites include By Night, Claudine, Made up in Blue, and North by North. They have quite a few good albums to check out if you want, my favorites being Daddy's Highway, The Law of Things, and Fear of God. Silverbeet and Couchmaster are good albums too. This band really doesn't have any bad albums, go for all of it.

The Verlaines: They were the more artsy band in the early period of Flying Nun. They have more of a classic rock vibe to them. They had a sizable influence on the band Pavement. Some good starting points include Death and the Maiden, Pyromaniac, and Doomsday. These are just single tracks, but their EPs and albums also have good tracks to offer, such as It Was Raining, CD Jimmy Jazz and Me, and Joed Out.

Straitjacket Fits: These guys were more of the rocking side of indie rock. They were apart of the second wave of Flying Nun bands and had some good hard rock tunes to boot, like She Speeds and Dialing a Prayer, and some Beatles-esque ballads like Down in Splendour thanks to their guitarist Andrew Brough (R.I.P). Other notable tracks include Hail and Bad Note For a Heart.

Chris Knox/Tall Dwarfs/Toy Love - I love everything this man did in the 80s and the 90s. He's basically New Zealand's David Bowie, and probably the most important person to all of New Zealand music. He first made records with his band Toy Love, who are more straight New Wave and Punk Rock, but they inspired all the bands from Dunedin to pick up a guitar and create their own songs, spawning the Dunedin scene in the first place. Chris Knox also recorded all of the early material by all the aforementioned bands. He then went on to do Tall Dwarfs, which is an experimental mindscrew and one of the original Lo-Fi/home recording bands. They have songs like Turning Brown and Torn in Two with the weirdness factor, then they do psychedelic jams like Crush, and then they do Sign the Dotted Line, an acoustic song that Jeff Mangum even did a cover of. They go all over the place. His solo career also has quite a few bangers, like the ultimate love song Not Given Lightly, rockers like Half Man, Half Mole, and more acoustic songs like Lapse. He is an interesting and important figure in New Zealand indie music and has a vast catalog to look through. It's unfortunate that he had a stroke in 2009 and can no longer create such great music anymore, but what we do have is great.

Honorable Mentions: Look Blue Go Purple(An all female Indie group), The 3D's(Noise-Pop extravaganza), Garageland(Power Pop Punk), The JSP Experience(Also pretty weird),Sneaky Feelings(Byrds/Motown Pop sound), Able Tasmans(Indie pop with a level of musical sophistication).

@[email protected] Here's another NZ tune to check out.

There's a wealth of music from New Zealand for you to discover if you haven't heard of Flying Nun already.

ever heard it before?