You might be right, but basically everyone is expecting there to be significant features of MKW which are as yet unannounced but will be featured in the upcoming Nintendo direct which is focused on that game specifically.
There is certainly an argument to be made about DLC cost being included upfront (and Zelda was already $90 on Switch 1 including the DLC) to avoid splitting up the player base for a game with an online focus. That might not be what they're doing, but my point is there are things they could do to justify the price increase for many players.
They also might just do nothing more than what's already been announced, but I doubt it because why then would they do another reveal later?
Have a Kodi add-on setup integrated with trakt and custom widgets. So whenever I load up Kodi I get a feed of
- New episodes for shows I already watch as soon as they air
- New trending shows (in descending order of current viewers)
- Newest shows on steeamers like Netflix, Amazon, Apple, BBC (which depend on the fine folk whom add them to trakt lists)
- Recommended shows from trakt
And then a separate similar set of widgets for movies. I find the trakt recommendations include a lot of old movies too. So if I can't find anything I want from the feeds of new stuff, I just pull up the trailer for one of the old movies I'm recommended and take a punt on it if I'm interested.
For YouTube I just use the recommendation algorithms (delivered via SmartTube)
Fair enough. I think it subverts the genre tropes enough to keep it interesting. More so than The Boys for example.
Plus I still get plenty revved up over a good action sequence featuring an indie band I like, like Amyl & The Sniffers (whom it seems Black Mirror just discovered as well)
Invincible?
It can be funny as like a case study in emotional manipulation by producers.
And then you realise people actually are gullible enough not to see through it and it's not funny anymore.
I've just been replaying it again since it was included in gamepass - already have hundreds of hours racked up between PC & Switch.
Definitely my favourite roguelite. And the soundtrack is so good. Haven't tried Exit since I heard bad things, and I never really got to the point where I'd fully completed the first. But that teaser got me super pumped.
[email protected] is locked, please redirect to [email protected] 😊
This week I watched:
- Ludwig - excellent
- Deli Boys - not bad
- Cassandra - made me sad
- Curb - hadn't caught up on S12 yet
- The Studio - super interesting but not convinced I really like it yet
You can't really have a 'flagship series' with 6 episodes per season. By the time weekly viewers have determined it's worthy of water cooler conversation, it's finished. Bingers blast through it in an evening. What a waste of talent and resources.
It's cold. Good on hot days or to use in an iced coffee/latte etc.
Most of the time it's not worth the extra time, in my opinion.
Can you heat it before drinking it?
Sure, it's just bean water either way. Should be a bit less bitter than a regular brew.
I think the trope developed over the course of the TV renaissance period post-early 2000s. At the time The Sopranos S1 was released, it didn't exist. The most interesting season of The Sopranos is S6, because it subverts expectation of a series runtime to experiment as a kind of celebration of the established universe and characters and their interactions. It is more than a pastiche of itself though, as it goes in genuinely new directions. 21 was the number of episodes which naturally suited the creative direction of the season and series, within reason of course. Not an even number or multiple of 5, not a number designed to perfectly fill a network timeslot.
GoT (earlier seasons) & Better Call Saul are great examples of shows that effectively harness the 10-episode constraint and deliver great story arcs in spite of them, as I recall. The Wire is another. I think Mr Robot S3 is harmed by the same constraint, where focus was diverted away from storytelling and toward marketability, both to studios and audiences. A different runtime could have improved the show, but by that point in the industry & culture that isn't something that would reasonably be on the table. The more modern version of what Sopranos S6 was is Ozark S4 - forced. Format is now restricted to a 'full length' 10-episode season or fewer, or it is purposefully different as a contrivance of industry. And I highly doubt that was a boon for those highly rated & popular full length series, good as they are.
I think most series are constrained to their respective runtimes and while those constraints do shape the nature of the themes they have the capacity to explore, it isn't always a problem even for series with fewer than 10 episodes. I haven't watched either of those recently enough to speak on them, but I think 10-episode series have become a de facto standard that is problematic for many shows and seasons. Severance S2 and The Bear S3 come to mind as recent examples. Both tend to experiment with the form of episodic storytelling in a way which, while interesting and worthwhile in my opinion, ultimately serves to make their respective season arcs less cohesive as a direct result of that constraint.
The same can be said for many episodes in 10-episode seasons, and due to that constraint those examples are more disruptive to plot progression and tend to be counterbalanced with episodes which rush progression but aren't actually good.
Moto g play 2024. Happy with it. My flatmate just got a new Galaxy, which cost about 9x as much. For my use case, I'm missing a brighter display, esim support, and gorilla glass. That's not worth paying 9x. My battery also lasts significantly longer.
They're already looking at ending in-person town hall meetings due to the backlash they're getting. Which will just cause constituents to seek out their reps in an unmanaged setting
Qualifying your analogy with (mostly) kinda makes it fall apart for me. Because the fediverse also works like how you described email (mostly). There might be a few extra exceptions due to relative immaturity of the protocol is all.
It's already down for me
I don't want to know this, but it's cinnamoroll
There's caveats to that these days. Official streaming, in practice, sure. But with a debrid/similar service and sufficient bandwidth, you can pirate stream files with equivalent quality to uncompressed Blurays
This one & LaD Gaiden (The man who erased his name) are more story DLC's for Yakuza 7 & 8, respectively. Just, they are big enough to merit standalone releases in RGG's opinion. LaD Gaiden was essentially an experiment in releasing this way, and it went well. But the new game isn't Yakuza 9, if that makes sense.