What are some tools and methods for detecting and removing human voice from audio?

Specific case that I am interested in is this female scream at 0:04 in this video:
https://www.youtube.com/watch?v=q_9NUGFsmfc

It's an old Slovenian TV show. I would like to have it's intro (0:00 - 1:10) for my ringtone.
But the female scream as part of a ringtone is not appropriate for many social situations.
Which is why I am interested in getting it removed.
Problem is that it overlaps with the start of the guitar riff, which I do want to keep in. So just selecting that part of the audio and deleting it is not a good solution.
I have been playing around with some functions in Audacity, but so far nothing resulted in "just remove the scream".

Thank you in advance for your suggestions and advice.
Are there any other communities that would know how to achieve this?

so i messed up and heres how; i used chatgpt to help design a sallen key low pass filter for my subwoofers. i knowwww i know. mostly i just asked it to do math but the problem is im consistently getting different answers about is if two consecutive second-order filters will change the overall cutoff freq or just make the cutoff steeper. ive used lm4562 opamps, 100nf caps and 8.2 kohm resistors. i did the math my damn self and it looks like chatgpt was right and the cutoff is ~195 hz. my subs are rated to 150 hz at -3db. im inclined to think the stacked filters are going to make a steeper cutoff, rather than change the freq too much but i'd love for someone more knowledgeable to chime in here.

it wasn't wasted work, it was my first electronics project so i got to lay out a real pcb board and solder it all together which went pretty well. i have a fischer price freq generator from the local college so i'll see if it actually works before grumbling too much at myself.

Just a heads up to anyone who might not have seen it or own it yet, but UA is giving away their 1176 Classic FET Compressor plug-in for free until 02/28!

Very interesting experiment to visualize what we already knew by Dave Rat!

Hello! Is it good practice in a technical rider patch list to group the violins for example under one line when there are a good number of them for better readability or should I give each one a line. For example the format would be: Input: 1-12 | Instrument: Violin 1 | Number: 12 | Microphone: ...

Also is there a particular order of instruments that should be followed?

Thanks!

Hello!

I'm in a situation where I'm coordinating the recording of an orchestra and choir concert with a sound engineer with which we have not had the best experience in the past. So I'm trying to find the best way to record the concert so we can tell him how to place the mics (He's open to discussion and agreeing with that).

The concert is happening in a church with a full orchestra and a choir of about 80 people.

• Of course, the goal will be to rely mainly on a main stereo pair. I was thinking about a ORTF pair a few meters about the conductor's head. Would a Decca tree be better if we have the possibility?
• I read that the 3:1 rule to mic the choir is pretty standard but my concern is that the microphones would pick up a lot of brass which are really close to the choir. I don't think I should get the mics too close to choir to have an homogeneous sound. What would be a good distance from the choir and will increasing the height of the microphones be enough to minimize brass in t

Hello there,

what the title says. Are you working as music producers, audio engineers, are you working as a freelancer for music production or for a company?

Cheers!

I just recently picked up a couple of them, but their product range is a little confusing to me. Curious if anyone is using and digging any of their plugins? Or any alternatives that you like?

These advices on sharing listening experiences is very helpful, I found myself doing more or less the same things with some non-engineers friends that have a highly emotional response to music. I might have benefited several times from leaving them more space to connect with feelings. And less talking :)

Curious what everyone is using on vocals? I’ve got a 47 clone that I love, but it’s also hard to beat an SM7 sometimes. It’s a classic for a reason!

Who inspires you the most as a mixer these days and why? I really look up to Serban Ghenea. His mixes are always so consistently great, balanced, loud, without being harsh. And it seems like he’s all ITB using standard tools that everyone has access too, he’s just got the skills and ear to make them great.

When I first started noticing oversampling options in my plugins, I turned them up as high as my cpu allowed by default. “It must sound better, right?” But lately, I’ve started noticing that oversampling in most of my plugins kills the transients and punchiness in a way that make it not worth using. Am I crazy or has anyone else experienced this? What situations do you find oversampling useful?

I’ve been loving the Kilohearts Essentials collection lately. Totally free and everything sounds great to me! Covers a lot of ground that stock plugins might not cover.

I’m currently using Pro Tools but started in Logic. For my needs and workflow, Pro Tools just has everything I need and I’m used to it. Curious what everyone on here is using?