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Disclosure: I do street photography on Fuji Instax color and monochrome, B&W film, and color and B&W edited digital. My username is accurate, I have low vision.

What we now call street photography - that many of us do as a hobby or with a focus on art - came from journalism and documentary photography, right? The Leica and black and white workflow was good for professionals documenting current events.

As photographic technology progressed, photojournalism moved to color film, then to digital as those became more appropriate for the workflow and for the reader.

In general broad strokes, photojournalists have been capturing current events with the technology of their time, therefore they’ve been representing their times with the look that technology brings. If the early 1900s happened in black and white, and so much of the rest of the century happened in Kodachrome, the 21st century is happening in whatever “color science” means. Sharp lens - lacking in character? - and balanced - rea

Personally I dig this weird little fella

It's an old Soviet 16mm film projector lens adapted to a different vintage lens's helicoid then adapted to Micro 4/3.

It's a 50mm f/1.2 lens and it takes some weird photos. It's not perfect (especially if the area is well lit) but it takes some interesting photos with a little practice.

Edit: And being a lens made for 16mm film it takes pictures just like a normal micro 4/3 50mm lens would.